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Notes

Shahzia Sikander: Works in Exhibition

1998

Shahzia Sikander, Hood’s Red Rider #2, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Susan and Lewis Manilow, Chicago.

Shahzia Sikander, Who’s Veiled, Anyway?, 1994, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of The Whitney Museum of American Art, New York, Purchased with funds from the Drawing Committee.

Shahzia Sikander, Perilous Order, 1994, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of The Whitney Museum of American Art, New York, Purchased with funds from the Drawing Committee.

Shahzia Sikander, Cholee Kay Pechay Kiya? Chunree Kay Neechay Kiya?, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Marieluise Hessel, New York.

Shahzia Sikander, Let It Ride I, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Emily and Alton Steiner, Houston.

Shahzia Sikander, Separate Working Things II, 1993, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Private Collection.

Shahzia Sikander, Red Riding Hood, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Dakis Joannou, Athens.

Shahzia Sikander, Then and N.O.W.—Rapunzel Dialogues Cinderella, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Dakis Joannou, Athens.

Shahzia Sikander, Extraordinary Realities I, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Sue Rowan Pittman, Houston.

Shahzia Sikander, Extraordinary Realities II, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Patricia Young, Houston.

Shahzia Sikander, Extraordinary Realities III, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Patricia Young, Houston.

Shahzia Sikander, Extraordinary Realities IV, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Richard and Lois Plehn, New York.

Shahzia Sikander, Extraordinary Realities V, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Christine Smith, Houston.

Shahzia Sikander, Uprooted Order I, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of A. G. Rosen, Wayne, NJ.

Shahzia Sikander, Uprooted Order II, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of A. G. Rosen, Wayne, NJ.

Shahzia Sikander, Venus’ Wonderland, 1995, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Rachel and Jean-Pierre Lehman, New York.

Shahzia Sikander, Spaces In Between, 1995, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Private Collection.

Shahzia Sikander, Mirrat I, 1991, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of the artist.

Shahzia Sikander, Mirrat II, 1991, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of the artist.

Shahzia Sikander, The Scroll, 1991, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of the artist.

Shahzia Sikander, Ready to Leave?, 1994, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of The Whitney Museum of American Art, New York, Purchased with funds from the Drawing Committee.

Shahzia Sikander, Many Faces of Islam, 1998, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of the artist and Deitch Projects, New York.

Shahzia Sikander, Eye-I-ing Those Armorial Bearings, 1994, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Carol and Arthur Goldberg Collection, New York.

Shahzia Sikander, That Red Dress, 1995, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Anne MacDonald, Sebastopol, CA.

Shahzia Sikander, Multiple Bearings, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Laura Lee Woods, Los Angeles.

Shahzia Sikander, Untitled, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Sam and Helga Feldman, Dallas.

Shahzia Sikander, Untitled (Transient Transformations), 1997, Gouache, watercolor, acrylic and clay on paper, Courtesy of Collection of Sam and Helga Feldman, Dallas.

Shahzia Sikander, In Your Head and Not on My Feet, 1997, Pencil on paper, Courtesy of Collection of Susan and Lewis Manilow, Chicago.

Shahzia Sikander, Where Lies the Perfect Fit, 1997, Pencil on paper, Courtesy of Collection of Susan and Lewis Manilow, Chicago.

Shahzia Sikander, Eye-I-ing: Those Armorial Bearings, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Marieluise Hessel, New York.

Shahzia Sikander, Eye-I-ing Those Armorial Bearings II, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Marieluise Hessel, New York.

Shahzia Sikander, Eye-I-ing Those Armorial Bearings III, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Dean Valentine, Beverly Hills, CA.

Shahzia Sikander, Walking a Thin Line, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of A. G. Rosen, Wayne, NJ.

Shahzia Sikander, Wings, Veils, and Dresses II, 1997, Gouache, watercolor, acrylic and clay on paper, Courtesy of CRG Gallery, New York.

Shahzia Sikander, Persistence of the Veiled Image, 1997, Gouache, watercolor, acrylic and clay on paper, Courtesy of Private Collection, courtesy of CRG Gallery, New York.

Shahzia Sikander, A Kind of Slight and Pleasing Dislocation, 1997, Watercolor and gouache on paper, Courtesy of Collection of Annie Philbin, New York.

Shahzia Sikander, Let It Ride II, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of the John D. and Catherine T. MacArthur Foundation, Chicago.

Shahzia Sikander, Untitled, 1992, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Margaret L. Savage, Worcester, MA.

Shahzia Sikander, Apparatus of Power, 1995, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Carol S. Craford, Los Altos, CA.

Shahzia Sikander, Weight ‘n’ Wait II, 1995, Clay and pigment on paper, Courtesy of Collection of Penelope M. Cooper, Berkeley, CA.

Shahzia Sikander, At the Core of it All, 1997, Clay and vegetable color on paper, Courtesy of Hosfelt Gallery, San Francisco.

Shahzia Sikander, A Kind of Slight and Pleasing Dislocation, 1995, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Anne Hatch, San Francisco.

Shahzia Sikander, Untitled, 1991, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Diane S. Baker and Edward C. Stanton III, Houston.

Shahzia Sikander, Untitled, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Renee Wallace, Houston.

Shahzia Sikander, Uprooted Order Series III, 1997, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Dorri and Arthur Melvin, Houston.

Shahzia Sikander, Untitled, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Suneeta and Nanik Vaswani, Houston.

Shahzia Sikander, Cycles and Transitions, 1995, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Emily and Alton Steiner, Houston.

Shahzia Sikander, The Pendulum, 1996, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of Collection of Doug and Claire Ankenman, Houston.

Shahzia Sikander, Reinventing the Dislocation, 1994, Vegetable color, dry pigment, watercolor, tea on hand-prepared ‘wasli’ paper, Courtesy of The Whitney Museum of American Art, New York, Purchased with funds from the Drawing Committee.

Shahzia Sikander, Cycles and Transitions, 1997, Gouache, watercolor, acrylic and clay on paper, Courtesy of Collection of Jessica Parish, Mill Valley, CA.

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