The
Renaissance
Society

at The University of Chicago
 

Video and Language/Video as Language

November 22 – December 30, 1987

 
 Rene Pulfer and Herbert Fritsch - Ohne Titel
Rene Pulfer and Herbert Fritsch
Ohne Titel, 1983
Video installation in the gallery
17 min. loop, color, stereo
 
For 45 minutes, Herbert Fritsch attempts to hold a beaming smile directed at the viewer. The last seventeen minutes of the smile are excerpted on the tape revealing all the pain and discomfort. The changing facial expressions graphically illustrate these muscles’ role in communication.
 
 Rene Pulfer and Herbert Fritsch Ohne Titel, 1983 Video installation in the gallery 17 min. loop, color, stereo
 Rene Pulfer and Herbert Fritsch Ohne Titel, 1983 Video installation in the gallery 17 min. loop, color, stereo
 Rene Pulfer and Herbert Fritsch Ohne Titel, 1983 Video installation in the gallery 17 min. loop, color, stereo
 Rene Pulfer with Herbert Fritsch Ohne Titel, 1983 Video installation in the gallery 17 min. loop, color, stereo
 Enrique and Fernando Fontanilles Two Strings, 1985 6 min., color, stereo
Gary Hill Soundings (excerpt), 1979 (revised 1986) 4.3 min., color, stereo
 Marina Abramovic and Ulay Tiera Degli Dea Madre, 1984 16 min., color, mono
Richard Serra Boomerang, 1974 10 min., color, mono
Linda Montano Mitchell’s Death, 1978 22 min., B/W, stereo
Hans Breder Ursonate, 1986 29 min., B/W, mono
Gary Hill Around and About, 1980 5 min., color, mono
Joelle de la Casiniere Grimoire Magnetique, 1983 26 min., color, mono
Laurie Anderson O Superman, 1984 8.5 min., color, stereo
John Baldessari Some Words I Mispronounce, 1972 1 min., B/W, silent
Gary Hill Ura-Ara, 1985 27 min., color stereo
Annette Barbier Mixed Emotions, 1983 11 min., color, stereo
William Wegman Selected Body Works, 1970 14 min., B/W, mono
Skip Arnold Hello/Goodbye, 1972 30 sec., color, silent
John Baldessari Some Words I Mispronounce, 1972 1 min., B/W, silent
David Bunn Chart, 1983 2 min., color, mono
Juan Downey Information Withheld, 1983 28.5 min., color, stereo
David Bunn Tropical Light, 1983 3 min., color, mono
Jacques Nyst J’ai La Tete Qui Tourne, 1984 17 min., color, stereo
Peter Rose Digital Speech, 1984 13 min., color, mono
Ken Feingold The Double, 1984 29 min., color stereo
Pier Marton Unity Through Strength, 1981 6.5 min., color, stereo
Caterina Borelli Passegiate Romane, 1985 16 min., color, mono
 Carole Ann Klonarides and Michael Owen R.M. Fischer–An Industrial, 1983 3.5 min., color, mono

   
   
The Renaissance Society
is a contemporary art
museum free and
open to the public
Mon  May 21, 2012